By Dot Hutchison
Ophelia Castellan isn't simply one other woman at Elsinore Academy. Seeing ghosts isn't a ability prized in destiny society other halves. even if she takes her capsules, the bean sidhe beckon, reminding her of a promise to her lifeless mom. Now, within the wake of the Headmaster's unexpected demise, the complete academy is in turmoil, and Ophelia can now not forget about the fae. particularly as soon as she begins seeing the Headmaster's ghosts—two of them—on the college grounds. Her basically confidante is Dane, the Headmaster's grieving son. but whilst she provides extra of herself to him, Dane spirals towards a sad fate—dragging Ophelia, and the remainder of Elsinore, with him.
You know the way this tale ends. but even within the face of convinced demise, Ophelia has a decision to make—and a promise to maintain.
Read or Download A Wounded Name PDF
Similar drama books
"I suppose that i've got spent part my profession with one or one other Pelican Shakespeare in my again pocket. comfort, besides the fact that, is the least very important element of the hot Pelican Shakespeare sequence. this is a chic and transparent textual content for both the learn or the practice session room, notes the place you would like them and the prestigious scholarship of the final editors, Stephen Orgel and A.
Listed here are images of yank lifestyles through the nice melancholy and after, populated via a hopelessly hopeful refrain woman, a munitions producer ensnared in a love triangle, a rural relatives that offers “justice” on its childrens, an overconfident mob dandy, a bad couple who quarrel to conquer melancholy, a tender “spinster” enthralled via the impulse of uprising, and, in “The Magic Tower,” a passionate artist and his spouse whose early life and optimism will not be sufficient to guard their “dream marriage.
During this choice of essays, Auchincloss considers the textual content of 17th-century French dramatists, Corneille and Racine. He deals observations approximately vintage French tragedy, ardour, self-sacrifice, self-aggrandizement, and civic and armed forces glory.
The interplay among philosophy and theater or functionality has lately develop into an immense and cutting edge region of inquiry. Philosophers and Thespians contributes to this rising box through 4 direct encounters among philosophers and thespians, starting with Socrates, Agathon, and Aristophanes in Plato's Symposium and finishing with a dialogue among Walter Benjamin and Bertolt Brecht a few brief textual content through Franz Kafka.
- The Tragedy of Hamlet (The Complete Shakespeare Translated by Liang Shiqiu, Book 32) (Bilingual Edition)
- The Cherry Orchard
- Summer Secrets: A Novel
- Death of a Salesman: Certain Private Conversations in Two Acts and a Requiem
- The Tempest by William Shakespeare
Extra info for A Wounded Name
Busch 1999: 36). Obviously, the importance of ideas in policy-making is well recognised in the literature. Scrutinising ideas analytically, two basic dimensions can be distinguished. : 23). Put differently, the concept of ideas as ‘knowledge includes both cognitive ideas about “what is the case”, and prescriptive, normative ideas about “what should be the case” and “what should be done”’ (Rueschemeyer and Skocpol 1996: 300). A large body of literature underlines the necessity for the new institutionalist approach to integrate ideas in order to provide direction to its analyses of the political behaviour of actors who engage in changing policies.
Thelen and Steinmo 1992: 12). Although the concern that the inclusiveness of institutions needs to be restricted is shared in order to maintain the explanatory utility of new institutionalism, it is here held that formal as well as informal institutions need to be considered in new institutionalist analysis. Both are essential for the overall institutional setting, providing the framework for political behaviour. However, to avoid conflating institution and agency, institutions should indeed be limited to the ‘rules of the game’.
Particularly in ‘unsettled times’, Katznelson (2003) puts forward, analyses need to scrutinise actors while still preserving an awareness of the constraints posed by the policy legacy. To underline the limits to the discretion of actors, he introduces the notion of ‘restricted agency’, which specifies, but is not intended to call into question, the significance of agency. In a similar vein, Clemens and Cook (1999: 459), as well as Crouch and Keune (2005: 99), argue that acknowledging heterogeneity and multiple choices in institutional settings constitutes an opportunity for agency; particularly ‘political leadership’, as a driving force for change (Sikkink 1991: 27).